Dear Wái Gōng
Ài shī, the Japanese strewn children’s heads
through laundry lines.
Everything was red.
-Xiàohóngfàn (78 yrs old)
years since war within you
martyred into a malignant lump—the rot
eroding into buckshot, your body flattening
like a thornless rose between bibles. your frame
was wisped into a smokescreen plastered
to the hospital bed & under the white sheets,
you disappeared into an antiseptic cloud. even then,
your pain could not be sterilized—until
we picked up the incoming call & your daughter’s knees
thawed into oil, greasing over the laundry as her prayers
stiffened the cotton. for the first time, we mourned
the cut-down elm you used to read poetry under,
condemning the carpenter’s steady winter saw,
the revving of its metallic teeth. at the dinner table,
your favorite lotus root soup numbed cold, our eyes
glossy over silence. my ma, shrivelling
on the plane windowseat, boned the eulogy
onto crumbled paper, baptizing grief as nothing holy
sprouted from the clouds. we stayed in the apartment
you secretly bought in her name, sleeping under plastic
dust covers, the heaters broken. at the funeral, i stared
at every arrowed letter of the bible. We bound the bark
of your rough hands to hazy memories. until aunt zhōu
gripped my freezing hands with hers & dragged me
outside. we watched sparrows chirp in the mud
as you reduced to ash. when the taxis arrived, our relatives erupted
into wuhanese. i shut my eyes until ma elbowed me into a car,
both of us coughing tears in the musk of secondhand
-smoke. as we passed uncle’s lotus pond, i glimpsed
the blackened stalks, crinkly heads hanging like sad children
punished with loneliness. the promise of war—
what accompanies it—already lives inside me.

Chicken Before Egg
Medium: Acrylic, Canvas
Size: 27.6in x 39.4in x 0.8in
In 6th grade, I watched a debate on whether humans are inherently 'good' or 'evil'. The team arguing for the latter used the Chinese saying that flies only surround a rotten egg, linking it to the idea that sin would not exist unless humans had the capacity for it. That argument inspired my artwork, in which God is a 'chicken' that hatches human eggs. As humans discover money growing on trees, greed overtakes humanity (leading people to push each other off the tree, etc.). I question if humanity's end is hell. The idea of our lives' entrapment within another body's intestines also references Plato's Cave. How do we know material reality is REAL? What do our toils amount to?
I referenced the paintings of Salvador Dalí and Frida Kahlo for their surreal and absurd styles.
Throughout the process, I experimented with disfigured canvas forms, but this diluted the painting's focus. The most difficult part was figuring out the color scheme, given the many elements.