Box Hill
Melbourne, Australia
There’s an apatosaurus I used to ride home from kindergarten every day; she’s cramped inside
an olive Chevrolet Captiva.
Her breath is Tropical Capri-sun. I miss the weight of her fat tail curling around my stomach,
the armpit-hot dog days when Ma agrees to roll down the mustard
-tinted windows so Ivan and I could turtle our necks and serenade clouds with Jay Chou.
There’s Box hill Central and a vein of Chinese restaurants, blotches
of cherry lanterns blossoming until my apatosaurus parks us on Thiele Street,
the possums already clicking on our rooftop by peach sunset.
Almost 6pm, we check on the fuzzy litter of lemon-cream chicks Ivan brought home
for a school project, their cartoonist beaks peck holes into the freshly
-trimmed grass. We cage them again. We eat cold tomatoes and supermarket roast chicken
for dinner, Ninja Warriors holler on the TV between ads of white women
selling Kleenex. Starlight leaks inside like minnows two episodes past and it’s cold
because Ivan punctured a hole into the plexiglass
with a soccer ball whilst dancing to Sexy and I know it in neon underwear with his friends.
Ma is probably scrubbing the dishes in the kitchen. We’re children so
we’re not sure. Ba is in Shanghai; he Facetimed us last week to pick out the wallpaper
for our new rooms back “home”. Ma enters the living room and palms
our foreheads, her hands are smooth, cool watermelon.
In dreamland, I’m tracing a heart-shaped abalone shell and a wishbone
protrudes from my throat waiting to snap, whilst I’m waiting
to be mended with cotton candy.

Family Trip Locked in Amber
Medium: Oil Paint, Canvas
Size: 27.6in x 39.4in x 0.8in
This oil painting is based on a photograph my dad took during a family trip to Bali, Indonesia, in the summer of 2013. My mom, brother, and I are on Jimbaran Bay waiting for the sunset.
My childhood memories from that time are blurry. Hence, when I layered the thin base color (yellow), I spontaneously envisioned depicting this translucency through 'amber'. While my existence hasn't progressed through millions of years (the amount of time it takes for an ant to be trapped in amber). I wanted to symbolize the solidification of my memories and feelings.
I also experimented with adding thick layers of only yellow paint for depth, but it didn't work. Hence, taking inspiration from the post-Impressionist style, I incorporated undertones of brown, orange, black, red, and white to add dimension and emotion to the painting. While the background of the painting adopted a more free-form style, I maintained rigidity in the main subjects for contrast.